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Monday with Miss Cellany

Bill Watterson’s Calvin and Hobbes; Bill Papas’ Semana Santa; Chic Young’s Blondie; Charles Sculz’s Peanuts; and Kirkus Reviews’ best “comic’ books of the 21st Century.

Calvin and Hobbes Hand-Colored Daily Comic Strip Original Art

Heritage Auctions will be putting up for bid a very early Calvin and Hobbes comic strip “inscribed to artist Jim Borgman and his family” by cartoonist Bill Watterson, who also hand-colored it, in a June 26, 2025 event.

Calvin and Hobbes by Bill Watterson, November 29, 1985 original art

From Heritage Auctions:

What can we say about this incredibly rare episode of Calvin and Hobbes — not only is it the 12th strip ever [produced printed] (the first premiered on November 18, 1985) and earliest-known strip to come to market (and only the fourth hand-colored example Heritage has had the distinct pleasure of offering), but it also features the first time we see Principal Spittle, and the first look at Calvin’s Spaceman Spiff, an explorer of galaxies and most prominent of Calvin’s alter egos! This episode shows the courageous Spaceman Spiff boldly facing down certain death, taking steps to safeguard the entire universe after being taken to the evil lair of… the principal’s office!

1968 Drawings of Sevilla’s ‘Semana Santa’ by famed British Cartoonist William ‘Bill’ Papas

Being that time of the year let’s discover some Easter drawings by Bill Papas headed for a limited run printing.

Sevilla’s Semana Santa by Bill Papas

From The Olive Press:

A REMARKABLE discovery has brought to light two 1968 illustrations of Sevilla’s Semana Santa and gives an insight to the British perspective on Spain’s version of Easter.

The drawings, by esteemed British artist William ‘Bill’ Papas and originally published in the Guardian, remained hidden for almost six decades in an old book.

They were only rediscovered in February 2023 when Boris Quijada and Saul Quijada, owners of the Capitel bookstore in Alcalá de Henares, made a fateful purchase.

“The drawings reflect the point of view of a British person, a person of the world, of eyes accustomed to diversity and transcendental historical moments,” said Enrique Guevara, scholar of Sevilla’s Semana Santa (Holy Week).

Papas, who died in 2000, was a renowned political cartoonist, author, and illustrator during the 60s and 70s who contributed to The Guardian, The Sunday Times, and the satirical magazine Punch. 

Was Blondie Originally a Completely Different Comic Strip?

There is a logical fallacy that occurs frequently where people see a number of similar things (like comic strips), and assume that the next similar thing (like, say, a comic strip) fits into the theme of the other strips, even if it is really doing something else entirely. That is the case with Blondie, which people will often refer to as originally being a flapper comic strip before it became a romance comic strip about Blondie and Dagwood Bumstead. That’s not quite how the story goes…

Blondie by Chic Young debuts

Brian Cronin looks into flapper comics and the beginning of Blondie and Dagwood by Chic Young.

The big difference, though, is that while Young’s Blondie did, in fact, star a flapper named Blondie Boopadoop (yes, her last name was, in fact, Boopadoop), the strip was specifically centered on her romance with her beau, Dagwood Bumstead, to the point where THEY’RE ENGAGED WHEN THE COMIC BEGAN in 1930!

Best Books of the 21st Century (So Far)

Kirkus Reviews recently listed their best books of the past 25 years (2000-2024) and comics made the cut!

In their list of 100 fiction books it was The Amazing Adventures of Kavalier & Clay by Michael Chabon; Monica by Daniel Clowes; and My Favorite Thing is Monsters by Emil Ferris.

Included on their nonfiction is Ducks by Kate Beaton; Fun Home by Alison Bechdel; and Can’t We Talk About Something More Pleasant by Roz Chast.

The Teens and Young Adults list includes these Comics and Graphic novels: Flamer by Mike Curato; Huda F Are You by Huda Fahmy; Hey, Kiddo by Jarrett J. Krosoczka; March by John Lewis, Andrew Aydin, and Nte Powell; Heartstopper by Alice Oseman; and Boxers & Saints by Gene Luen Yang.

Among the Middle Grade books are Diary of a Wimpy Kid by Jeff Kinney; Dog Man by Dav Pilkey; Smile by Raina Telgemeier; and New Kid by Jerry Craft.

Things you might not know about Peanuts

Charlie Brown and his gang of lovable young’uns are bonafide stars when it comes to classic American comic strip characters. Peanuts, the brainchild of cartoonist Charles Schulz, is so well-known that many of its quotes and common catchphrases are now a part of our cultural lexicon.

till, even the comic strip’s most eagle-eyed fans might not realize just how groundbreaking it was for its time (it was the first major comic strip to introduce a minority character into its cast in 1968), or how far-reaching its pop culture impact has been (director Wes Anderson, for instance, has a Peanuts reference in nearly every one of his films).

Peanuts by Charles M. Schulz November 11, 2007

Classic City News offers little known items about the famed Peanuts comic strip by Charles Schulz.

Schultz didn’t create or really like his comic strip’s name

Snoopy has five siblings

Charlie Brown’s and Schultz’s fathers are both barbers

The little red haired girl is never seen

Linus didn’t speak for the first two years

The teacher’s voice was a trombone

First comic strip to feature a minority character [highly debatable]

Unpopular character “killed off”

Final comic ran day after Schultz died

The strips aren’t drawn anymore

A documentary was made but never aired

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Comments 6

  1. Well, I don’t have gazillions upon gazillions of dollars to spend. I guess I’m sticking to the books. Is it bad for Classic City News if I knew several of their little-known facts?

  2. Also: Has Dan Thompson ended the Brevity comic strip? It hasn’t been updated on GoComics.com since April 13, 2025.

  3. Some commontary:

    Schultz didn’t create or really like his comic strip’s name
    (“Peanuts”was an obsolete term for children, in fact it was so obsolete that the editor had to explain to him what it meant. Shultz HATED the title)

    Snoopy has five siblings
    (this was a marketing ploy to sell stuffed animals)

    Charlie Brown’s and Schultz’s fathers are both barbers

    The little red-haired girl is never seen
    (see below)

    Linus didn’t speak for the first two years
    (Almost ALL the early characters started out as babies and grew for a while by being fixed in time. This includes Linus, Sally, Lucy, and Schroeder. The original characters were Snoopy, Shermy, Patty, Violet, and Charlie Brown, who were never portrayed as babies.)

    The teacher’s voice was a trombone
    (If we’re going to add the TV specials, then the little red-haired girl IS seen, she’s in two or three of them. In the strip, the teacher’s voice is NOT a trombone)

    First comic strip to feature a minority character [highly debatable]
    (Maybe in a non-racist way. There were lots and lots of strips with minority characters going all the way to the 19th-century origin of the art form, but these were mostly done as what would now be considered as racist caricatures.)

    Unpopular character “killed off”
    (the Charlotte Brawn canard is just that. While Shultz mused about killing her off in a letter to a fan, she never died in the strip. Shultz “killed off” lots and lots of minor characters.)

    Final comic ran the day after Schultz died
    (This isn’t a little-known fact; rather, it’s a quite famous one)

    The strips aren’t drawn anymore
    (duuuh)

    A documentary was made but never aired
    (possibly, but a bunch of documentaries on the subject WERE aired.)

  4. Schulz didn’t spell his name “Schultz.” Also, something I had forgotten but was very evident to my toddler eyes: PEANUTS was *smaller* than the other strips! It had the effect (to me, at least) of attracting attention, but it seemed, and to no apparent purpose, to be intended to denigrate Schulz’s strip. If anybody wonders why the creator of the most successful and influential comic strip of all time carries a few grudges, all you have to do is look at the way he was treated by the syndicate.

    1. Mark wrote: “to no apparent purpose”
      The purpose was for the early Peanuts to get it in as many papers as possible.
      A sales point to newspapers was that the strip could be run horizontally or stacked two panels over two panels (as Pogo and most NEA strips and others were laid out) or stacked vertically to run as one column. It enabled papers to fit Peanuts in various places other than the comics page and gave them an easy space filler. I don’t know that Schulz ever expressed an opinion about that particular sales gimmick, though Bill (Calvin and Hobbes) Watterson did:
      “Back when the comics were printed large enough that they could accommodate detailed, elaborate drawings, “Peanuts” was launched with an insultingly tiny format, designed so the panels could be stacked vertically if an editor wanted to run it in a single column. Schulz somehow turned this oppressive space restriction to his advantage, and developed a brilliant graphic shorthand and stylistic economy, innovations unrecognizable now that all comics are tiny and Schulz’s solutions have been universally imitated. Graphically, the strip is static and spare. Schulz gave up virtually all the “cinematic” devices that create visual drama: There are no fancy perspectives, no interesting croppings, no shadows and lighting effects, no three-dimensional modeling, few props and few settings. Schulz distilled each subject to its barest essence, and drew it straight-on or in side view, in simple outlines. But while the simplicity of Schulz’s drawings made the strip stand out from the rest, it was the expressiveness within the simplicity that made Schulz’s artwork so forceful.”
      https://www.latimes.com/archives/la-xpm-1999-dec-21-cl-45937-story.html

      1. I would add that, as someone roughly the same age as Charlie Brown, I found the simple format inviting, just as I loved the Barnaby collection my parents had. Ditto with Miss Peach.

        I knew Pogo was beautiful, but the use of elaborate fonts put me off. I could barely make out what they were saying, much less understand it. So I’d look at the pictures and ignore the words.

        Funny thing is, half the time I had no idea what was being discussed in Peanuts. It was not a “kid’s strip” despite the inviting format. But it got me into comics.

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