CSotD: Uncertainty and principles
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Alex adds a caution to the cheerful notion of leaving the city to telecommute from rural splendor.
That first article is based on the logic that just because people are looking at houses on realtor.com and Zillow, it doesn’t mean they’re actually bidding and buying and serious.
The second article involved actually talking to people who sell houses about the number of people who bid and buy and are serious.
Neither one provided the kinds of numbers I’d need to be certain of an actual movement, but at least the second one noted that buying a house isn’t like buying a pair of shoes: The process takes longer and is apt to rope in additional issues.
But people are talking about it, which is all that’s happening in the strip. And I’d add that, out here in the sticks, we’ve seen a lot of people come up to second homes for the interim, and perhaps they’ll stay, who knows?
Meanwhile, I liked the twist at the end, the joke being that this sort of money-saving has usually been visited upon the peasantry, and with just that sort of incremental job-death-by-a-thousand-cuts.
In newspapers, for instance, they’d begin by having pages laid out not at the individual papers but at hubs around the country, and once everyone was used to that, they moved the hubs to Asia. They did the same with customer service, so that, when you called because your paper hadn’t come, you got someone in the Philippines.
The joke being that the sort of banking functions these two prats perform probably couldn’t be replicated overseas, in part because it takes personal contact and expert on-the-scene analysis and in part because nobody really knows what they do at the bank in the first place.
Still, I’d be a little cautious in suggesting improvements, lest eliminating you were to become one of them.
Further uncertainty and the clash of experts is seen in this Adam Zyglis commentary, which I think relies on our on-the-one-hand-but-on-the-other culture, in which, if someone declares that it is raining, the reporter is required to find someone else who insists the sun is shining.
It’s a false concept of “presenting both sides” that the Tobacco Institute exploited for years and which is now being exploited by the oil and gas industry and their political quislings.
There is nearly universal agreement about global warming and its causes, but one must be fair, after all, and present dissenting opinions by unqualified nudniks in lab coats.
It’s not that it encourages constructive debate, but that it provides an excuse to avoid difficult decisions and painful remedies.
Though there is this: Blaming Trump for the fires in California or the rash of hurricanes is kind of silly, and thinking Joe Biden could slam on the brakes and end global warming is ditto.
Trump is only the end result of decades of neglect and Biden would only be the beginning of a long process of slowing down the disasters to come.
Still, as Tom Toles notes, there was a time when we were not simply an example but actual leaders, not perfect by any means but worth looking up to nonetheless, and we’ve squandered that.
Though, to be fair, there are experts who insist we haven’t.
And then there is this totally tangled
Juxtaposition of the Day
Those who have been living under a rock or perhaps devoting their time to intelligent matters may not know that there’s a French movie on Netscape called “Cuties” about an African Muslim girl in middleschool who falls under the influence of some mean girls who dress provocatively and dance in ways that should even shame older girls.
According to people who have seen it, the central message is that she should keep her values and not go their direction, but how well the director drives home that point seems to be up in the air.
After all, the message of the Death Wish films was that you shouldn’t rape and murder, but just perhaps the people who liked those movies enjoyed watching the crooks’ violence as much as they enjoyed watching Bronson’s revenge.
I mean, we live in a country where a spoiled, draft-dodging rich slacker can not only grow up to be president but then have “Fortunate Son” played at his rallies while his working class supporters cheer.
So maybe the film unintentionally exploits the sexualization of 11-year-olds, or maybe it unintentionally glorifies it, of maybe it does neither. I don’t know; I haven’t seen it.
For my part, I was too early for the Teeny-Bop Revolution. I only knew who Elvis was because my babysitters talked about him, and I look at photos from my childhood and wonder when parents began dressing their kids in ass-clinging things instead of baggy pants.
And if I want to see an immigrant girl question her family’s traditional values, I’d rather it included soccer than sexy dancing.
Not that you have to actually see a movie to pontificate on what it means.
And the pontification has hit fever levels.
But one element of confusion, whatever the movie itself accomplishes or doesn’t, is that pedophilia has become a major cause for the Q-Anon movement.
I don’t know if any of the above three cartoonists have seen “Cutie,” but, however exploitive they may feel it is, Rogers is correct in tying pedophilia to delusional voting blocs.
The Q-Anon connection itself is now up for debate.
And whether the outrage over Cuties is specifically linked to Q-Anon or not, Q-Anon definitely exploits outrage over pedophilia to help spread its message.
As the reporter in that On the Media interview says, it’s a great entry point for recruiting: Everybody is against child pornography, even if they’ve never heard of Q-Anon.
So here’s my question: If BLM protesters are responsible for the violent fringe lunatics who tag along at their demonstrations, shouldn’t those who want Netflix to take down “Cuties” do more to distance themselves from Q-Anon?
But apparently “distancing” isn’t the same as denouncing.
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