The art of pantomine in animation, comics
Skip to commentsSlightly off-topic, but of interest. An article on this weekends NY Times about how chatty modern animation has become and how they’ve lost the art of pantomine. It’s an interesting read by itself, but with the announcement of a new feature called “Lio“by Mark Tatulli – which is being sold as a pantomine feature, I wonder how long it will be until the Lio feature is replete with dialog. I seem to remember that “Bound and Gagged” was billed as a dialog-less feature, but I rarely see one today.
American animation wasn’t always like this. Some of its most memorable moments have no talking: Mickey Mouse dancing with the brooms in “Fantasia”; the Seven Dwarfs weeping at Snow White’s bier; Bugs Bunny riding in as Brunhilde on a white charger in “What’s Opera, Doc?” Animation is often funnier, more dramatic and more powerful when words aren’t distracting the viewer’s attention from the stylized expressions and movements.
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