Anderson draws attention to Orphan Works Act
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© Nick Anderson. Used by permission
Nick Anderson, Houston Chronicle editorial cartoonist, has written a blog post on the personal impact of the Orphan Works Act on artists if it is passed.
And written from the artist’s perspective: “Why does this matter to me?
- Creative control and ownership: No one can use or change my work without my permission.
- Value: In the marketplace my ability to sell exclusive rights to a client triples the value of my work.
The Orphan Works Act would end that exclusive right because
- It would let anyone who can’t find me (or who removes my name from my work and says he can’t) to infringe my work.
- Since infringements can occur anytime, anywhere in the world,
- My work could be stolen countless times, but I might never find out about it.
- That means that under this bill, I would never again be able to assure a client that my work hasn’t been – or won’t be – infringed.
- Therefore I would never again be able to guarantee a client an exclusive right to license any of my work.
- This means my entire inventory – my life’s work – would be devalued by at least 2/3 its potential worth from the moment this bill takes effect.”
As AAEC President, he earlier joined the National Cartoonist Society in an open letter to congress warning that passage of this legislation would severely hurt artists.
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